Box 1
Contains 734 Results:
The Mariner's grave
The collection includes late 19th century Irish and English broadside ballads. Of the total 972 broadsides, the vast bulk were printed in either Cork or Dublin, Ireland. Many of the Dublin broadsides were published by Peter Brerenton. Broadside ballads were printed and sold by ballad singers as well as in street fairs and markets and included the lyrics for popular songs. They were printed on one side of inexpensive paper and often included woodcut illustrations.
Mary Doheny, the Tipperary witch
The collection includes late 19th century Irish and English broadside ballads. Of the total 972 broadsides, the vast bulk were printed in either Cork or Dublin, Ireland. Many of the Dublin broadsides were published by Peter Brerenton. Broadside ballads were printed and sold by ballad singers as well as in street fairs and markets and included the lyrics for popular songs. They were printed on one side of inexpensive paper and often included woodcut illustrations.
A new song on Mary Doheny, the Tipperary witch
The collection includes late 19th century Irish and English broadside ballads. Of the total 972 broadsides, the vast bulk were printed in either Cork or Dublin, Ireland. Many of the Dublin broadsides were published by Peter Brerenton. Broadside ballads were printed and sold by ballad singers as well as in street fairs and markets and included the lyrics for popular songs. They were printed on one side of inexpensive paper and often included woodcut illustrations.
A new song called Mary Jordans
The collection includes late 19th century Irish and English broadside ballads. Of the total 972 broadsides, the vast bulk were printed in either Cork or Dublin, Ireland. Many of the Dublin broadsides were published by Peter Brerenton. Broadside ballads were printed and sold by ballad singers as well as in street fairs and markets and included the lyrics for popular songs. They were printed on one side of inexpensive paper and often included woodcut illustrations.
An admired love song called Mary Neil
The collection includes late 19th century Irish and English broadside ballads. Of the total 972 broadsides, the vast bulk were printed in either Cork or Dublin, Ireland. Many of the Dublin broadsides were published by Peter Brerenton. Broadside ballads were printed and sold by ballad singers as well as in street fairs and markets and included the lyrics for popular songs. They were printed on one side of inexpensive paper and often included woodcut illustrations.
An admired love song called Mary Neil
The collection includes late 19th century Irish and English broadside ballads. Of the total 972 broadsides, the vast bulk were printed in either Cork or Dublin, Ireland. Many of the Dublin broadsides were published by Peter Brerenton. Broadside ballads were printed and sold by ballad singers as well as in street fairs and markets and included the lyrics for popular songs. They were printed on one side of inexpensive paper and often included woodcut illustrations.
A new song called Mary O!
The collection includes late 19th century Irish and English broadside ballads. Of the total 972 broadsides, the vast bulk were printed in either Cork or Dublin, Ireland. Many of the Dublin broadsides were published by Peter Brerenton. Broadside ballads were printed and sold by ballad singers as well as in street fairs and markets and included the lyrics for popular songs. They were printed on one side of inexpensive paper and often included woodcut illustrations.
Lamentation of Mary Connor, murdered by her son
The collection includes late 19th century Irish and English broadside ballads. Of the total 972 broadsides, the vast bulk were printed in either Cork or Dublin, Ireland. Many of the Dublin broadsides were published by Peter Brerenton. Broadside ballads were printed and sold by ballad singers as well as in street fairs and markets and included the lyrics for popular songs. They were printed on one side of inexpensive paper and often included woodcut illustrations.
A new song called Mary's lament
The collection includes late 19th century Irish and English broadside ballads. Of the total 972 broadsides, the vast bulk were printed in either Cork or Dublin, Ireland. Many of the Dublin broadsides were published by Peter Brerenton. Broadside ballads were printed and sold by ballad singers as well as in street fairs and markets and included the lyrics for popular songs. They were printed on one side of inexpensive paper and often included woodcut illustrations.
Mat. Hyland
The collection includes late 19th century Irish and English broadside ballads. Of the total 972 broadsides, the vast bulk were printed in either Cork or Dublin, Ireland. Many of the Dublin broadsides were published by Peter Brerenton. Broadside ballads were printed and sold by ballad singers as well as in street fairs and markets and included the lyrics for popular songs. They were printed on one side of inexpensive paper and often included woodcut illustrations.