Box 1
Contains 58 Results:
“Printers Supplies, Foundry Type, Wood Type.” Long Island City, NY. 128 pages., 1957
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
Amsterdam Continental Types
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Alternate Characters for Aurora Condensed and Aurora Bold Condensed.” New York, NY. 7.5"x 12.5", single sheet.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Black & White Figures For Advertising.” New York, NY. 6" x 9", single sheet.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Standard.” New York, NY. Specimen No. 535A. A Berthold Type Face. 12 pages.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Nobel Grotesques.” Amsterdam. (4) pages.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Nobel Grotesque Open.” Amsterdam. (4) pages.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Type Available Booklet.” Douglassville, PA. 22 pages.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Two Line Showing Of Armstrong Type Faces.” Philadelphia, PA. (approximately 20 pages).
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“The Selection and Use of Type.” Springfield, MA. 19 pages.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).