Drawer FF-13: 1
Contains 24 Results:
“A Specimen of Printing Types.” Glasgow, Scotland. 2 copies., 1783
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Centaur and Arrighi” and “The Times New Roman and Italic.” San Francisco, CA., 1948 / 1960
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“A Specimen of Types in Use at the Montague Press.” Montague, MA., 1915
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“A Specimen by Isaac Moore and Co.” Bristol, England., 1766
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“A Partial List of Types in the Shop of Everett Currier Limited.” Large broadside., 1921
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Caractères d’Écriture, de la Fonderie de Delalain et Boucher.” Paris. Broadside.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Carateres Francais, Grecs ei Allemanda.” Rue de la Harpe, no. 132, Paris. Broadside mounted to museum board.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“A Specimen of Printing Types, by Joseph Fry and Sons, Letter-Founders, Worship-Street, Moorefields.” London. Broadside, 1785
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Epreuve des Caracteres.” Paris. undated.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Caracteres de la Fonderie ei Imprimerie de Gillé Fils.” Rue Jean de Beauvais, Paris. Large broadside., 1778
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).