Box 2
Contains 18 Results:
“Borders, Corners, Ornaments, Electro Blocks, Casts, &c.” London. 23 loose leaves and bifolia.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Tango Swash.” Chicago, IL. single sheet (8 1/2 by 11 inches).
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“One Line Type Showings Book No. 3.” Philadelphia, PA. 79+[1] pages. 4 copies.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Machine Faces.” Philadelphia, PA. stiff paper wrappers, spiral bound. [26], 61+[1] pages.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Type Faces.” New York, NY. stiff paper wrappers, spiral bound. 52 pages.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Current Type Specimens And Price List.” Detroit, MI. 40 pages.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Caractere demi-nompareille, grave et par Henri Didot, inventeur de la fonderie/polyamatype.”, circa 1823
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Retail 23.” Boston, MA. 10 pages. Includes laid-in pricing sheet., 2000
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Retail 24.” Boston, MA. 18 pages., 2000
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
Specimen of type faces, primarily Chinese. In brown mailing wrapper.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).