Box 3
Contains 32 Results:
“Alphabet Soups.” 51 pages., 1984
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“American Typewriter.” 27 pages., 1975
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Avant Garde Gothic with Oblique.” 50 pages., 1977
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Barcelona.” 35 pages., 1981
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Benguiat.” 30 pages., 1977
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Berkeley Old Style.” 35 pages., 1983
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Bookman.” 47 pages., 1976
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Caslon, No. 224.” 35 pages., 1983
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Century.” 67 pages., 1980
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Cheltenham.” 73 pages., 1978
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).