Box 4
Contains 47 Results:
“Record Gothic Bold.” Chicago, IL. (4) pages.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Record Gothic Bold Condensed/Record Gothic Heavy Condensed.” Chicago, IL. (4) pages.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Record Gothic Bold Extended.” Chicago, IL. broadside (9 by 12 inches).
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Script Typefaces.” Chicago, IL. (4) pages.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“The New England Compositor, Showing Continental Types....” Boston, MA. 20 pages., 1927
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Font Sizes and Prices, CENTAUR and Arrighi.” San Francisco, CA. Single sheet. 3 copies.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Type”. San Francisco, CA. 95+(1) pages., 1986
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Type.” San Francisco, CA. 95+(1) pages., 1967
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Univers.” San Francisco, CA.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Magnetic Tape Selectric Composer.” spiral bound. 63-127+(1) pages.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).