Box 4
Contains 47 Results:
“Caledonia, A New Printing Type Designed by W.A. Dwiggins.” 4 leaves.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Caravan: A suite of 29 decorative units designed by W.A. Dwiggins...” 5 leaves.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Complete Index And Addenda.” Brooklyn, NY. 221-262, (2) pages.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Digest Of Linotype Faces.” New York, NY. 166 pages., 1935
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“For five centuries tyrants have known....” Single page broadside. Specimen of Times Condensed Titling.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Linotype Fairfield, A New Type Face Designed By Rudolph Ruzicka.” Brooklyn, NY. (8) pages.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Revised Index And Addenda To One-Line Specimen Book.” Brooklyn, NY. 221-246, (2) pages.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Thirteen Typefaces That Linotype Alone Supplies.” Brooklyn, NY. unpaginated.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
Set Of 22 Type Specimen Booklets. variously paginated: ATF Americana Series Della Robbia Series Hobo Horley Old Style Series Italia Series ITC Eras Series ITC Garamond Condensed Series ITC Kabel Series ITC Quorum Series ITC Zapf Book Series Mergenthaler Frutiger Series Mergenthaler Video Series Monotype Grotesque Series Monotype Perpetua Series The New Mergenthaler Helveticas Peignot Series Rockwell Series Stempel Serifa Series University Series VGC Egyptian 505 Series Weiss Series Windsor Series
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).
“Baskerville.” Single tri-fold sheet.
The collection is composed primarily of 20th-century ephemeral type specimens from Europe and America. Many are notable for their colorful design and creative sample text, and some are styled in the manner of faux publications (e.g. “The Baskerville Banner,” which is presented as a newspaper broadside).